Exhibit explores Shaker-Modernist parallels

Author:
Publish date:
Wharton Esherick used light to add a touch of drama.

Wharton Esherick used light to add a touch of drama.

The Fruitlands Museum in Harvard, Mass. is presenting “Visons of Design: Parallels in Mid-Century Modern and Shaker Furniture” through Mar. 22, 2020. The exhibit features pieces drawn from the museum’s collection and Field Farm in Williamstown, Mass., the former home of avid modern art and furniture collectors Lawrence and Eleanor Pamedo Bloedel.

The Shakers were a religious communal society who settled throughout the eastern United States, flourishing in the mid-1800s. The Modernists were recognized for their use of innovative aesthetic forms in the mid-20th century.

Matthew Shewchuk’s “Mane Lamp”. 

Matthew Shewchuk’s “Mane Lamp”. 

“Despite existing a century apart, their mutual sensitivity to place, materials, and intended use led both to prioritize purpose over decoration when creating and collecting furniture and art,” according to the museum. “The furniture and art in this exhibition may intrigue visitors to think differently about how the design of furniture evolves.

“In addition to comparison of these two collections, cabinetmaker Eli Cleveland, distinguished alumni of North Bennet Street School, Boston, will create replicas of three pieces of furniture in the exhibit, with yet-to-be assembled parts seeming to float in the center of the gallery, dramatically highlighting how the furniture was fabricated.”

For more, visit www.fruitlands.org.

Shining a light

The Wharton Esherick Museum is featuring the finalists of its annual woodworking competition in its “Leave the Light On” exhibit, which opened Sept. 8 and runs through Dec. 29.

The exhibit celebrates innovative approaches to lighting by 13 makers, including Dean Babin, Bob Brox, Ken Burton, Ashoke Chhabra, Eric Diven, Catherine Emil, Jamie Herman, Sandy Huse, John Lutz, Jodie Prud’homme, Matthew Shewchuk, Brian Skalaski, Janine Wang, and Jared Williams.

Eli Cleveland’s “Exploding Tables”  installation at the Visions of Design exhibit.

Eli Cleveland’s “Exploding Tables” installation at the Visions of Design exhibit.

Launched in 1994, the annual competition challenges artists, woodworkers and craftspeople to draw inspiration from Esherick’s unique designs, encouraging artists to continue to reinvent the world around us.

“Lighting mattered to Wharton Esherick. It added a touch of drama, a twist in the plot. He understood the unique power of light to transform our experience of space, to reveal and define form,” the museum explained in a statement.

Shaker pieces from the Fruitlands Museum exhibit.

Shaker pieces from the Fruitlands Museum exhibit.

For more, visit www.whartonesherickmuseum.org

Related Articles

dig-23

Massachusetts exhibit explores the old and new

Conversations in Craft: Furniture from the Trustees Collection and North Bennet Street School Artisans,” opened Nov. 18 at the Fruitlands Museum in Harvard, Mass., and will run through Mar. 28.

A)-Federal-sideboard-by-Allen-Eason

Historical exhibit features collapsible furniture

A new exhibition, “Campaign Furniture: The March of Portable Design”, opened Aug. 25 and runs through Nov. 4 at the Boscobel House and Gardens in Garrison, N.Y.

A)-Catalini-chair

‘Art of the stool’ explored at Wharton Esherick Museum

The Wharton Esherick Museum in Malvern, Pa., is hosting its 25th annual Woodworking Competition and Exhibition, “The Art of the Stool”, recognizing the beauty and potential of everyday objects.

sitting-still

Chair design celebrated at Big Apple exhibit

Sitting Still: A Field Study” was recently on display at The Hudson Company’s Manhattan showroom from May 11-24.